Description

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Although understudied in the West, Iurii Trifonov was a canonical Soviet author whose lifetime spanned nearly the whole of the USSR’s history and who embodied many of its contradictions. The son of a Bolshevik murdered on Stalin’s orders, he wrote his first novel in praise of the dictator’s policies. A lifelong Muscovite, he often set his prose in the Central Asian peripheries of the USSR’s empire. A subtle critic of the communist regime, he nonetheless benefited from privileges doled out by a censorious state. 

Scholars have both neglected Trifonov in recent years and focused their limited attention on the author’s most famous works, produced in the 1960s through 1980s. Yet almost half of his output was written before then. In Empire of Objects, Benjamin Sutcliffe takes care to consider the author’s entire oeuvre. Trifonov’s work reflects the paradoxes of a culture that could neither honestly confront the past nor create a viable future, one that alternated between trying to address and attempting to obscure the trauma of Stalinism. He became increasingly incensed by what he perceived as the erosion of sincerity in public and private life, by the impact of technology, and by the state’s tacit support of greed and materialism. Trifonov’s work, though fictional, offers a compelling window into Soviet culture. 
 

About the Author

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Benjamin M. Sutcliffe is a professor of Russian and faculty associate with the Havighurst Center for Russian and Post-Soviet Studies at Miami University in Oxford, Ohio. He is the author of The Prose of Life: Russian Women Writers from Khrushchev to Putin and the coauthor (with Elizabeth A. Skomp) of Ludmila Ulitskaya and the Art of Tolerance.

Praise For…

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“A thorough, rigorous, and focused analysis of the complete oeuvre of one of the most important, yet still underrated, writers of the Soviet period. Empire of Objects not only updates Trifonov scholarship but also addresses some key, long-standing oversights and misapprehensions and makes a substantial contribution to the study of Soviet literature and culture.”—Polly Jones

“Sutcliffe’s engaging new study considers the oeuvre of Iurii Trifonov, one of the most talented writers of the late-Stalinist and Thaw-era Soviet Union, and examines his struggle at the convergence of Stalinist ‘sincerity’ and the post-Stalin call to probe the cult of personality and its amorality. An important contribution to the study of late Soviet intellectual and literary life.”—Edith Clowes, University of Virginia